J. S. Bach arr. Juritz
Goldberg Variations, BWV 988

Craig Ogden Guitar
David Juritz Violin
Tim Hugh Cello

"... a surprising and beautifully executed rendition of the work by violinist David Juritz … detailed and gracious, but also sweeping and noble, and full of “air” and warmth."
Stuart Millson, ENDNOTES, October 2019

Violinist, David Juritz, transcribed Bach's masterpiece for Craig Ogden, widely acknowledged as one of the leading guitarists of his generation. They will be joined by the internationally renowned cellist, Tim Hugh, winner of the Tchaikovsky Competition and principal cellist of the Orchestra of the Royal Opera House. Read More

PROGRAMME

Bach's variations, published in 1741, take their name from the harpsichordist, Johann Gottlieb Goldberg, who was their first performer. Bach presented a copy of the variations to Goldberg’s employer, an insomniac nobleman, who instructed the musician to play them while he tried to get to sleep. ‘Music historians haven’t told us whether they were an effective sedative or not but it’s hard to imagine that anyone, after listening to a work of such exquisite beauty, wouldn’t be even wider awake by the end.’ says Juritz.

Bach wrote the variations for a harpsichord with two keyboards although they are now more often performed on the piano where they present formidable technical challenges with hands crossing and fingers colliding on the modern instrument’s single keyboard. Even though a long tradition exists of arranging and re-orchestrating Bach's music, Juritz, approached his own transcription with some trepidation; 'Reproducing Bach’s extraordinary counterpoint places makes for some pretty uncompromising demands on the performers, although the varied tonal colours of the three instruments allow the musical lines to emerge with real clarity. '

PRESS

Bach’s Goldberg Variations, BWV 988 – dating from 1741 – is a work often referred to as one of the greatest achievements in all music: an opening ‘aria’, a statement, of the most subtle, contemplative, mellow beauty, leading to a journey of miraculous contrast and complexity through 30 variations; and then followed by a noble summation and restatement of the opening theme.

The variations are usually heard in piano or harpsichord form. One thinks of pianist Glenn Gould’s two recorded versions, especially his slow-paced CBS account from 1981 – or harpsichordist Kenneth Gilbert’s authentically baroque account on the Harmonia Mundi label, but at the recent Music@Malling festival in Kent, the audience at St. Mary’s Abbey were treated to a surprising and beautifully executed rendition of the work...

Arranged by David Juritz, who provided a brief but informative account of the work and his realisation of it, the trio succeeded in turning the work into what could almost be described as an hour-long Brandenburg Concerto – with the guitar part assuming the role and sound of a lute accompaniment…...The modern stone interior of the performance space at St. Mary’s – uncluttered and simple, with natural light, but also a feeling of inwardness – gave a rich but never over-reverberant tone to the sounds of the instruments; so that what we heard was detailed and gracious, but also sweeping and noble, and full of “air” and warmth….One hopes that Juritz’s “curating” of a great classic will appear on CD.

Stuart Millson, ENDNOTES, Music@Malling, October 2019

VIDEOS

VIDEOS

BIOGRAPHY

Violinist, David Juritz, transcribed Bach's masterpiece for Craig Ogden, widely acknowledged as one of the leading guitarists of his generation. They will be joined by the internationally renowned cellist, Tim Hugh, winner of the Tchaikovsky Competition and principal cellist of the Orchestra of the Royal Opera House.

Read more about the trio below

IMAGES

RECORDINGS

LINKS

Craig Ogden
www.craigogden.com

David Juritz
www.davidjuritz.com

Tim Hugh
Tim Hugh - Naxos

Presenting